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Please use this identifier to cite or link to this item: http://ntour.ntou.edu.tw:8080/ir/handle/987654321/46814

Title: 傷勢/傷逝:《2046》中的時空重返
Authors: 蔡秀枝
Contributors: 國立臺灣海洋大學:海洋文化研究所
Keywords: 2046
王家衛
敘事學
聚焦
記憶
重複
米姬•巴爾
德勒茲
列斐弗爾
Wong Kar-Wai
2046
narratology
focalization
memory
repetition
Mieke Bal
Gilles Deleuze
Henri Lefebvre
Date: 2006
Issue Date: 2018-06-06T05:37:11Z
Publisher: 中山人文學報
Abstract: Abstract: This paper addresses the question of the narrative function played by the tangled repetitive fragments of various love affairs and memories of Chow Mo-Wan (Leung Chiu-Wai) in Wong Kar-Wai's mavie 2046 in terms of the narratological analysis, Mieke Bal's narrative focalization, Deleuze's concept of memory and repetition, and Henri Lefebvre's discourse on the function of space production and reproduction on the stage of the lived representational space. The fragmentary love affairs, represented as incessant re-visions of a long lost love affair, play an important narrative function, which not only increases the protagonist Chow's memory sediments and sentimentality but also conflates the cultural significance and aesthetic depth that the movie's special and complicated visual aesthetics would have aimed to bring forth-to seemingly make everything stuck to the promise of a world that never changes. The dexterously recorded and transcribed fragments of love successfully create a de-contextualized arena to entrap their characters and allow the movie viewers/readers to re-inscribe different kinds of wound/mourning on the fragmented love stories and the im/possible love objects.
Relation: 23 pp.157-188
URI: http://ntour.ntou.edu.tw:8080/ir/handle/987654321/46814
Appears in Collections:[海洋文化研究所] 期刊論文

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